
30 Hours | In-Person: €1199 + 19% VAT | Online Remote Attendance: €803 + 19% VAT
The short form that follows will help us match your schedule preferences to a class. Fill it out, and someone on our admissions team will get right back to you.
To be in the loop when we release more dates, sign up to our newsletter towards the top right of this page. We don't send many, you can easily unsubscribe, and we never share our data with anyone, ever.
Matt Stanley shot and edited this music video on equipment worth under $1000, with some scenes featuring our studio on Melrose. Check it out ↓
Lisbon's course runs in small groups at our studio, taught by working producers, with live-online attendance for students elsewhere in Portugal, using our specialist music collaboration software, Muse. The city's fast-growing electronic scene makes it a good place to learn this. Discover qualities that distinguish us, here.
“It was really useful to fully understand the principles after all this time. I highly recommend Garnish”
Mark Jenkyns
The length is in the glance strip at the top of this page, and the tuition for this campus - with the registration fee and any early-booking rate - sits just above the call to action.
Yes. Sessions run in person at this campus and live online at the same time, so you join whichever suits you.
Yes - ask admissions about private instruction and we will pair you with a specialist in this subject.
Artists who need their own video, and anyone behind a camera for the first time who wants footage that is right in camera rather than fixed in the edit.
Planning first - location scouting, scripting and storyboarding - then the camera: sensor size, the exposure triangle, shutter speed and frame rates, codecs and bit rates, aperture, focal length, primes against zooms, and filters.
Bring what you have; the principles are the same on any camera, and the course is about getting the shot right rather than owning a particular body.
30 Hours | In-Person: €1199 + 19% VAT | Online Remote Attendance: €803 + 19% VAT
by Chris Porter It would be easy to write an entire article arguing about exactly what this question means, but the simplest answer (and the truth of the matter) lies behind the scenes - of whatever parameters the interested parties have agreed to. Allow me to explain… In today’s world of music crea
Read →How to EQ Vocals Katie Gilchrest's guidelines on how to EQ vocals. For most styles of music, vocals are one of the most important parts of the mix. Poorly EQd vocals can cause detriment and distraction to an otherwise great song. Equalization using a parametric EQ is a tool that can allow vocals to
Read →Phasing was the next purely electronic effect after the wah- wah and fuzz box, and it originally set out to emulate tape phasing. In the phaser, a signal…
Read →As early as 2010, if you wanted to put together an album you were pretty much forced to shell out cash to a local recording studio. Or, even worse, you pretty much needed a record deal with a label of some sort.
Read →Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →From tape echoes to ping-pong delays: the parameters, how to match delay time to tempo, and using delay as a real mixing tool.
Read →