
36 Hours | $1099 + $100 Registration
Use the ‘CONNECT’ button below to request schedule information for our classes. One of our placement experts will follow up within a business day. For one-to-one lessons, see Mixing and Sound Design for Film and TV Private Instruction, and connect with a specialist on that page.
Lisbon's course runs in small groups at our studio, taught by working producers, with live-online attendance for students elsewhere in Portugal, using our specialist music collaboration software, Muse. The city's fast-growing electronic scene makes it a good place to learn this. Discover qualities that distinguish us, here.
“Lots of one on one, great break down, wonderful teacher. Awesome staff..I cant wait to take a production course to advance what I have learned in this class. Very positive, super supportive. I'm so happy I decided to cont. with my education..201 made everything gel in my brain from the first class especially when I started playing out. It all made sense.”
Bee Cregar
Herwig Maurer, also known as Agent H - a Berklee alumnus in sound production and engineering, who collaborated on an Academy Award-nominated film's audio and does sound design on Amazon's Reacher.
The length is in the glance strip at the top of this page, and the tuition for this campus - with the registration fee and any early-booking rate - sits just above the call to action.
Yes - ask admissions about private instruction and we will pair you with a specialist in this subject.
Yes - live online, built for participation: weekly tasks that mirror real-world challenges, and three live playback sessions where you show your work.
Yes. You work to real film score briefs, including complying with broadcast loudness standards, and finish with your own project and feedback on it.
36 Hours | $1099 + $100 Registration
We have discussed the most common modulation effects such as chorus, flanging and phasing. Now it is time to investigate other modulation effects.
Read →How filters shape a sound - low-pass, band-pass, comb and notch - plus resonance, envelope control and using filters creatively in a mix.
Read →There are many ways to access the power of filtering, but probably the easiest is to use a plug-in. Logic’s AutoFilter is a good example of Emagic’s…
Read →Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →Equalization is the process by which an equalizer is used to either boost or cut different frequencies in an audio signal in order to change its tonal…
Read →Mid is what the two channels share, side is what they do not. Splitting a mix that way lets you treat the centre and the edges separately - and it is the most common professional move that never appears in a beginner's mix.
Read →