
Mixing & Mastering Course – Make Your Tracks Sound Pro
Struggling to get your mix to sound polished and powerful? Know the basics but your tracks still don’t bump like they should? You’re not alone—and our Mixing & Mastering Course is designed exactly for producers like you.
In today’s crowded music landscape, a clean, professional mix isn’t just nice to have—it’s essential. If your productions lack depth, clarity, or that final touch of finesse, we’ll show you how to fix it. Since 2010, we’ve been teaching producers how to elevate their sound using a mix of classic engineering techniques and cutting-edge tricks.
Whether you’re mixing house, hip hop, pop, or cinematic soundscapes, this course will help you dial in a professional sound—fast.
Available in-person worldwide or LIVE online. All learners must bring a laptop with their DAW of choice installed.
Prerequisite: This is an intermediate-level course. You’ll need a solid understanding of your DAW and the basics of music production. Not quite there yet? Take one of our DAW courses first—or reach out and we’ll help you figure out where to start.
Lisbon's course runs in small groups at our studio, taught by working producers, with live-online attendance for students elsewhere in Portugal, using our specialist music collaboration software, Muse. The city's fast-growing electronic scene makes it a good place to learn this. Discover qualities that distinguish us, here.
“I won't change anything. I learned and enjoyed a lot! Good location and neighborhood, nice people and easy parking.”
Mono Villa
Since 2010, combining classic engineering technique with more current tricks.
36 hours, or 20 hours as 1-on-1 instruction.
Yes - see Mixing & Mastering Private Instruction.
A working knowledge of your DAW and the basics of production - it's an intermediate-level course.
Why compression matters, its parameters, circuitry and digital emulation types, and parallel processing dos and don'ts.
€1299 + €100 Registration if booked 14 days before start or €1499 + €200 Registration
The human ear uses compression for pretty much the same reasons that we do in music, that being to control the level of an audio signal. As you may…
Read →The whole mixing process, condensed: zeroing the desk, subgrouping, panning, using your ears, and where ambience fits in.
Read →Chambers, springs, plates and digital reverb - what each parameter does, and how to place a sound in a space without drowning the mix.
Read →Subgrouping a mix, using reference tracks properly, and keeping your monitoring level honest over a long session.
Read →The term stereo, short for stereophonic, involves the reproduction of sound using two separate audio channels that are then presented to a pair of…
Read →Channel level is another important aspect of mixing, which begins to flesh itself out during the EQ’ing process. As each new element is introduced for…
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