

36 Hours | In-Person: €1299 + €100 Registration fee | Online Remote Attendance: €803
Check out the student feedback from our Electronic Music Producer Academy Program from LA ↓
Lisbon's course runs in small groups at our studio, taught by working producers, with live-online attendance for students elsewhere in Portugal, using our specialist music collaboration software, Muse. The city's fast-growing electronic scene makes it a good place to learn this. Discover qualities that distinguish us, here.
For this course, please contact us for schedule information before booking
“It was a lot better than watching youtube or reading about Ableton. The classes were helpful and it was nice to be around people with a similar mindset for networking etc.”
Emma Henry
The Ableton Live Course runs 36 hours. Tuition at Garnish Lisbon: 36 Hours - In-Person: €1299 + €100 Registration fee - Online Remote Attendance: €803.
Yes. The Ableton Live Course runs in person at Garnish Lisbon and live online in the same sessions, using our music collaboration software, Muse - you join whichever suits you.
Yes. The Ableton Live Course can be taught one-to-one, in person in Lisbon or online, built around your own projects - ask admissions about private instruction.
A laptop with Ableton installed - a free 30-day trial of Suite is enough to start. Headphones and MIDI keyboards are available to use in class.
No. The course is a hands-on introduction, built from our full Electronic Music Producer Program and streamlined - it starts at the interface and finishes with you arranging your own tracks.
Either. The course supports Ableton on both, so bring whichever you work on.
36 Hours | In-Person: €1299 + €100 Registration fee | Online Remote Attendance: €803
How to map key zones and velocity zones in Ableton's Sampler, and how its sustain and release loops work - from the Ableton Advanced course notes.
Read →All the recording and techniques we used when recording Drums in Impulse also apply here, however now we’re also dealing with notes and note duration
Read →The Beats mode is particularly useful for rhythmic material, while the Tones and Texture modes can create more abstract, atmospheric or also gated sounds.
Read →Live will import video, show it while you work, and export it with your audio. Enough to score a short film, cut a trailer, or sync a set to visuals.
Read →Follow Actions past the basics: cycles, probability, non-repeating structures, and using them to build a set that plays itself.
Read →The bottom Operators are directly connecting to the output and their envelopes control volume over time. In FM terms they are Carriers.
Read →